By Noriko Iwasaki, Peter Sells, Kimi Akita
Mimetic phrases, sometimes called ‘sound-symbolic words’, ‘ideophones’ or extra popularly as ‘onomatopoeia’, represent an enormous subset of the japanese lexicon; we discover them to boot within the lexicons of alternative Asian languages and sub-Saharan African languages. Mimetics play a important function in eastern grammar and have in children’s early utterances. even though, this classification of phrases isn't regarded as vital in English and different ecu languages. This e-book goals to bridge the space among the large study on eastern mimetics and its availability to a world viewers, and likewise to supply a greater figuring out of grammatical and structural features of sound-symbolic phrases from a eastern point of view. in the course of the bills of mimetics from the views of morpho-syntax, semantics, language improvement and translation of mimetic phrases, linguists and scholars alike may locate this ebook really valuable.
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Extra info for The Grammar of Japanese Mimetics: Perspectives from structure, acquisition, and translation
However, due to the poor interaction between the two camps, Japanese mimetic research has made only a limited contribution to ideophone research. Many studies on Japanese mimetics are written in Japanese (see Akita 2005–2010 for a bibliography of sound-symbolic phenomena in Japanese) and have remained inaccessible to ideophone researchers studying other languages. Moreover, few Japanese mimetic researchers have willingly imported insights and frameworks from descriptive or theoretical linguistics in other languages.
Studies on Japanese Language and Literature 57(1). 199–217. Miyaji, Yutaka. 1978. Giongo/gitaigo-no keitairon shōkō [Morphology of Japanese onomatopoeia]. Kokugogaku [Studies in the Japanese language] 115. 33–39. Morita, Masako. 1953. Go’on-ketsugō-no kata-yori mita giongo/giyōgo: Sono rekishiteki sui’i-ni tsuite [Mimetics and their sound combination patterns: On their historical change]. Kokugo-to kokubungaku [Japanese language and literature] 345. 46–61. Nasu, Akio. 2015. The phonological lexicon and mimetic phonology.
Emotional: dokiQ ‘startled,’ hoQ ‘relieved,’ uNzari ‘fed up,’ wakuwaku ‘excited’ Despite this semantic diversity, Japanese has no single mimetic specifically for taste, smell, or color (Izumi 1976). Apparent counter-examples, such as koQteri ‘thickly greased,’ piriQ ‘tasting hot,’ and tuN ‘stinging the nose,’ depict the quantity of taste or the cutaneous feelings that particular food causes. g. aka ‘red,’ ao ‘blue’). These lexical gaps may help us to further scrutinize the limits of auditory iconicity (cf.
The Grammar of Japanese Mimetics: Perspectives from structure, acquisition, and translation by Noriko Iwasaki, Peter Sells, Kimi Akita