Read e-book online Can I Say: Living Large, Cheating Death, and Drums, Drums, PDF

By Gavin Edwards, Travis Barker

ISBN-10: 0062319442

ISBN-13: 9780062319449

Travis Barker’s soul-baring memoir chronicles the highlights and lowlights of the well known drummer’s artwork and his lifestyles, together with the harrowing aircraft crash that almost killed him and his anxious street to recovery—a attention-grabbing never-before-told-in-full tale of private reinvention grounded in musical salvation and fatherhood.

After breaking out because the acclaimed drummer of the multiplatinum punk band Blink-182, every thing replaced for Travis Barker. however the darkish facet of rock stardom took its toll: his marriage, chronicled for an MTV truth express, fell aside. consistent traveling hid a major drug habit. A reckoning didn't really come until eventually he used to be pressured to stand mortality: His existence approximately resulted in a scary airplane crash, after which his shut good friend, collaborator, and fellow crash survivor DJ AM died of an overdose.

In this blunt, using memoir, Barker ruminates on rock stardom, fatherhood, loss of life, loss, and redemption, sharing tales formed through decades’ worthy of well-deserved insights. His pulsating memoir is as lively as his acclaimed beats. It brings to a detailed the 1st chapters of a well-lived lifestyles, inspiring readers to stick to the rhythms in their personal hearts and locate that means of their lives.

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Additional info for Can I Say: Living Large, Cheating Death, and Drums, Drums, Drums

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To many ordinary folk in the early history of 20 SITES OF AUTOPSY IN CONTEMPORARY CULTURE anato-autopsy, digging into the interior of a cadaver must have seemed like a profoundly bad idea, and it is true that even today pathologists have one of the most dangerous, and unhygienic, jobs in the medical profession. In the early modern period, anatomy also became associated with criminality in two ways, a predicament that lasted into the twentieth century. Both of these associations deeply prejudiced the public against the practice of human dissection.

To him, “the young woman” is undoubtedly a live subject. Significantly, instead of using the word “liver,” which would fit the mechanistic model—and he’s actually grasping her liver—he uses the word “life,” as in her life was in his hands. 5 To apply Occam’s razor to one last point in Leder’s claim of the mechanistic model. The cadaver has assumed such importance to Western medicine, I think, not so much because of a fancy for mechanical functions, but because it has been available. To make such anato-pathological examinations—autopsies—on the lived body would have to mean something like human vivisection, not that some practitioners in the history of Western medicine would not have been up to the task.

From the seventeenth through the nineteenth centuries in Europe and continuing into the twentieth in the United States, medical students and professors were reduced to bribery and thievery, obtaining bodies against the wishes of the deceased and often stealing them from graveyards in such numbers that families had to station guards throughout the night, thus coining the phrase “graveyard shift” (Gawande 96). In the 1998 novel The Giant, O’Brien, Hillary Mantel tells the true story of the giant Irishman Charles Byrne and John Hunter, the “father of modern anatomy,” in eighteenthcentury London.

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Can I Say: Living Large, Cheating Death, and Drums, Drums, Drums by Gavin Edwards, Travis Barker

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