By Poppy Shire
The Magic Pony Carousel has come to town reasonable! Amy desires to trip the gorgeous darkish bay pony named Brightheart. once she settles into the saddle, the magic carousel whisks them off on an experience. She and Brightheart commute again to the times of knights and princesses. Will she be ready to discover ways to struggle like a knight in time to aid a tender prince?
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Additional info for Brightheart the Knight's Pony (Magic Pony Carousel, Book 2)
They are thus poised on the brink of doom, but rescued as the Ring is destroyed and Sauron’s powers collapse. This signals the narrative arrival, which is the resolution, in whole or in part, of the global instabilities and tensions. In the rest of Book VI the pace slows down in comparison to the action-packed narration of the war. It deals chiefly with the tying up of loose ends as the four hobbits retrace their path back to the Shire, thus providing closure. Having them return to the Shire effectively displays the extent of their growth in the course of the quest: they have outevolved their fellow hobbits, and the powerful wizard Saruman (though weakened by his previous defeat) is no longer any match for them.
He scales the progression in terms of beginning, middle and end – each of which has four components: two relative to textual dynamics and two relative to what he calls readerly dynamics. The textual dynamics relate to various ways in which expositions provide information about the narrative, character, setting and events, and to turning points in the text with regard to the progression of its main conflict(s). The readerly dynamics are concerned with the rhetorical transactions between implied author and narrator on the one hand and between real and implied reader (what Phelan terms ‘authorial 32 Ethics and Form in Fantasy Literature audience’) on the other.
Having them return to the Shire effectively displays the extent of their growth in the course of the quest: they have outevolved their fellow hobbits, and the powerful wizard Saruman (though weakened by his previous defeat) is no longer any match for them. In this last part of the story, Frodo briefly reclaims the ground as the tale’s 40 Ethics and Form in Fantasy Literature moral hero through his insistence on sparing the lives also of their adversaries. This gains him the respect even of Saruman: Saruman rose to his feet, and stared at Frodo.
Brightheart the Knight's Pony (Magic Pony Carousel, Book 2) by Poppy Shire