Download e-book for iPad: Black Television Travels: African American Media around the by Timothy Havens

By Timothy Havens

ISBN-10: 081473720X

ISBN-13: 9780814737200

Black tv Travels presents a close and insightful view of the roots and routes of the televisual representations of blackness at the transnational media panorama. via following the circulate of black cultural items and their institutionalized discourses—including lore, style cultures, and the a number of tales of black stories that experience and feature now not made it onto the small screen—Havens complicates discussions of racial illustration and exposes percentages for extra expansive representations of blackness whereas spotting the restrictions of the possible liberatory areas created by means of globalization.”
—Bambi Haggins, affiliate Professor of movie and Media reports at Arizona country collage
“A significant fulfillment that makes vital contributions to the research of race, id, worldwide media, state, and tv construction cultures. Discussions of race and tv are too frequently constricted inside of nationwide barriers, but this extraordinary publication deals a robust, compelling, and completely clean corrective. learn it, assign it, use it.”
—Jonathan grey, writer of Television leisure, tv experiences, and convey bought Separately 
Black tv Travels explores the globalization of African American tv and how within which international markets, programming thoughts, and viewer personal tastes have encouraged portrayals of African american citizens at the small monitor. tv executives were notoriously sluggish to acknowledge the capability approval for black characters and topics, either at domestic and out of the country.  As American tv agents more and more search sales overseas, their assumptions approximately saleability and viewers perceptions without delay effect the worldwide move of those courses, in addition to their content material. Black tv Travels goals to reclaim the historical past of African American tv flow on the way to right and counteract this fundamental lore.
Based on interviews with tv executives and programmers from world wide, in addition to manufacturers within the usa, Havens strains the shift from an period while nationwide tv networks frequently blocked African American tv from touring in another country to the transnational, post-network period of at the present time. whereas globalization has helped to extend variety in African American tv, rather in regard to style, it has additionally ended in regulations, reminiscent of within the constrained portrayal of African American girls in desire of attracting younger male demographics throughout racial and nationwide limitations. Havens underscores the significance of reading boardroom politics as a part of racial discourse within the overdue smooth period, while transnational cultural industries like tv are the first assets for dominant representations of blackness.
Timothy Havens is an affiliate Professor of tv and media stories within the division of conversation experiences, this system in African American reviews, and this system in overseas stories on the collage of Iowa.
In the Critical Cultural Communication series


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Into the 1970s, the television broadcast networks faced little competition from cable and satellite programmers. Although the technology of cable dates back to the beginnings of nationwide television in the United States, cable was used primarily for rebroadcasting network programs, rather than carrying original cable programming. Similarly, communications satellites began broadcasting nationally and internationally in the 1960s, but the FCC 36 << Roots in a Global World stymied development of that industry as well, in order to shore up the incumbent broadcast networks.

S. syndication revenues far outstrip international revenues in most cases, American television series tend to be heavily reliant on international revenues in the first three season, prior to their domestic syndication; the longer they stay on the air thereafter, the larger the percentage of their revenues that comes from domestic syndication. 6 Again, as we will see throughout the following chapters, both the genre of programming and the historical period in which it was produced and syndicated influence the importance of international markets and their subsequent sway over domestic production decisions.

The repetition of naming scenes when new male children were born into the family suggested the continuation of rituals that linked contemporary African Americans to the African homeland. The theme of naming surfaces again in the third episode, when the overseer gives Kunta Kinte the slave name Toby, but he refuses to respond to it. After a failed escape attempt, Toby is savagely whipped until he answers to his new name. Again, the brutal imposition of the Western name not only demonstrates the power of naming when it comes to acquiescence and resistance, but also ties into the rage felt by many African Americans at the time about the erasure of African names and, thereby, personal and collective history.

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Black Television Travels: African American Media around the Globe by Timothy Havens

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