By Ángel Riesco Terrero, Elisa Ruiz García, Jesús Domínguez Aparicio, Ana Belén Sánchez Prieto
Aproximación a l. a. cultura escrita es un instrumento didáctico de fácil manejo, con el fabric teótico-práctico necessary para trabajar en las clases y fuera de ellas, con reproducciones escrituarias seleccionadas y representativas de las distintas épocas, pero especialmente las correspondientes al período moderrno y contemporáneo.
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Additional resources for Aproximación a la Cultura Escrita. Material de Apoyo
The more posterior plosives /k/ and /c/ are realised as voiced or voiceless fricatives, or in the case of /c/, as a semivowel. 15 The labial /p/ lenites to an approximant. Evans (1995a:54) transcribes this as [w], though my impression is that the articulation is usually labial only, rather than labiovelar. Retroflex /"/ lenites to a retroflex approximant /%/ with relatively little apical retraction. 2. / The oral tract closures for nasals are articulated in the same manner as plosives. Since the nasals lack the voicing contrasts and releases characteristics of plosives however, the 15 I am unsure whether native speakers would be able to distinguish the two perceptually.
Beyond markedness and faithfulness constraints, alignment constraints demand that the edges of certain constituents — for example, prosodic constituents or morphological constituents — be aligned with one another. The use of alignment constraints to produce simple and powerful accounts of prosodic structure has been one of the major successes of OT and of constraint based grammar in general. Individual constraints are often parameterised in order to limit their scope. For example, the basic, unparameterised constraint IDENT demands that corresponding segments be identically specified for all features, whereas the parameterised constraint IDENT(coronal) demands only that they be identically specified with respect to [±coronal].
I am not able to; Evans (1995a:226,62,465) describes /c/ leniting to [j] under certain circumstances without any comment that it might differ from /j/. 52 acoustic cues distinguishing them are quite different. Particularly close in perceptual terms are intervocalic /n/ and /n#/. The latter appears in derived environments (from underlying /t#+'/) in the apprehensive inflection of verbs, and sometimes via post-lexical simplification of /n#t/# ! / ‘tongue’ (Evans 1992; 1995a), however I have not been able to confirm that these two roots do indeed contain /n#/.
Aproximación a la Cultura Escrita. Material de Apoyo by Ángel Riesco Terrero, Elisa Ruiz García, Jesús Domínguez Aparicio, Ana Belén Sánchez Prieto