A Proper Companion (Regency Rakes, Book 1) - download pdf or read online

By Candice Hern

ISBN-10: 0983866503

ISBN-13: 9780983866503

"Fans of the normal Regency Romances of Georgette Heyer will get pleasure from this witty romance from big apple instances bestselling writer Candice Hern. Robert, Lord Bradleigh, is a rakish earl with a lately prepared betrothal to a beautiful younger girl he slightly understands. Emily Townsend is an impoverished spinster hired as a significant other to his grandmother, the ambitious dowager countess. Robert is of the same opinion to assist his grandmother discover a husband for the attractive Emily, yet how is he to undergo the idea of her in one other man's hands? This gleaming story will take you from the Pump Room at bathtub to the ballrooms of London because the unforeseen and indisputable allure among Robert and Emily blossoms into anything extra � anything which could positioned considered one of them at risk.

""Candice Hern is a amazing expertise of more advantageous benefit, one whose intelligence, wit, and craftsmanship are as striking as her stylish romantic sensibility.""
--Romantic Times
"

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Additional info for A Proper Companion (Regency Rakes, Book 1)

Example text

So begin by locating the ordinary preposition, and its cliché: This I took for a sign that he had himself something to produce and that we should only have to wait. We waited in fact till two nights later; but that same evening, before we scattered, he brought out what was on his mind. ” So do what James does, and replace the preposition “on,” with one from the list on page 41: We waited in fact till two nights later; but that same evening, before we scattered, he brought out what was in his mind.

And yet, across, on that southern shore, an ancient two-story wood-frame house rests on a structure of tangled steel, of wood and earth and sacks of sand, like a two-story bird with split-shake feathers, sitting fierce in its tangled nest. The point is, good writers do more than simply conjure up clever comparisons for the things they describe; they couch those comparisons in language that relates to them or is suggestive of them. Let’s try one ourselves. Assume the subject about which we are writing is an asylum, and we are in search of a title.

For instance, what do you make of this: Are we human, or are we dancer? Notwithstanding the confusion in meaning, you’d think The Killers would have enough grammatical sense to change the word dancer to its plural form, Â�dancers. I mean, really, why would anyone speak like that? Who do The Killers think they€are? But when you think about it, if we can be human, and not necessarily humans, then why can’t we be dancer, and not necessarily dancers? The point is, plurality is relative. You can change it to give your prose a special feel.

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A Proper Companion (Regency Rakes, Book 1) by Candice Hern


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